Luke Heng (b.1987, Singapore) works primarily within the confines of painting by deconstructing information drawn from the painters process. Using painting as a supporting structure to examine the fluidity between dimensional spaces. In parallel, exploring concepts of interstitial spaces within the threshold. Heng graduated with MA in Fine Arts from LASALLE College of the Arts in partnership with Goldsmiths, University of London in 2020, which he attended on a scholarship, and he has since been actively practicing art both locally and internationally.
Heng’s first solo exhibition, The Waiting Room, was held at FOST Gallery, Singapore in 2015. Followed by a solo exhibition at Galerie Isabelle Gounod, Paris, France the following year. His last solo outing, After Asphodel, took place at Pearl Lam Galleries, Singapore in 2017. In 2019, He had his first solo show, 'Allinum' in Kuala Lumpur with A+ Works or Art. Heng also participated in group exhibitions include Constitutent Concreteness at Mizuma Gallery (2016, Singapore), Peculiar Textures at Galerie Steph (2015, Singapore), and Primavera 3 at Galerie Frédéric Lacroix (2014, Paris, France). He was selected to participate in the Dena Foundation Artist Residency Program in Paris, France, supported by the National Arts Council, Singapore.
Heng’s first solo exhibition, The Waiting Room, was held at FOST Gallery, Singapore in 2015. Followed by a solo exhibition at Galerie Isabelle Gounod, Paris, France the following year. His last solo outing, After Asphodel, took place at Pearl Lam Galleries, Singapore in 2017. In 2019, He had his first solo show, 'Allinum' in Kuala Lumpur with A+ Works or Art. Heng also participated in group exhibitions include Constitutent Concreteness at Mizuma Gallery (2016, Singapore), Peculiar Textures at Galerie Steph (2015, Singapore), and Primavera 3 at Galerie Frédéric Lacroix (2014, Paris, France). He was selected to participate in the Dena Foundation Artist Residency Program in Paris, France, supported by the National Arts Council, Singapore.
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